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Sketches of the rain : A sociophysiology of premier amour

Sagarch Flawndol

ISOCPHYS-Certified Owlstain Community Member (ICOCM)

Château Methuen

Owlstain, FZ 23632


Communicated by Kiko Devi, August 13, 1992.

abstract A barrel sits alone upon the yellow dust of an empty plain. It could be a wooden barrel, or a metal barrel, but whichever the case, it is filled with water. Swimming deep inside the shadow of the barrel is a fish. Or so one has been led to believe. You sight the barrel from a distance. There are an infinite number of ways to approach it.

introduction
There’s a place on the Yellow Steel river just west of Trans-Tetrastics 13 and the crumbled blocks of concrete below the bridge of highway that crosses there.

You stand on the cliff edge high above the south bank (1) and face the expanse of live oak and cottonwood, juniper and mesquite that fades into the plains lining the northwestern horizon.

In a wide still part of the river beside the north bank, the shadow of a fish is moving over the pebble strewn bed.

You see the fish itself as it swims beneath an autumn yellowed sycamore leaf.

methods and materials
This couple, this relationship of man and woman, is a knotted trail of pain, self-doubt, hatred and anger, is a poem (2) that continually regenerates itself, a poem (3) lived with every day and revised as new words, new meanings to be placed within the notes of its composition, are discovered. There are holes in its grammar (4) that gape like the maw (5) of a strip mine, great chunks of space scattered among the i) I love yous, ii) I need yous, iii) I want yous, and iv) I hate yous — holes with a dreadful longing to be filled. There are other holes that wish simply to left alone.

You start with a shack (6). It is composed of boards joined hastily together. It can easily fall apart and it often does. But it is rebuilt patiently: painfully the beams are lined up again, the cracks sealed, a new roof nailed on. Eventually you have a house grown strong as well exercised muscles (7, 8).

results
It’s been thundering for some time now, the dark clouds have moved overhead and filled the sky; they began their journey from the southeast late this morning. Earlier, the sky was clear.

The continuous light mists that fall all day without let up are more common to cold weather, to autumn and winter days after a norther has moved in than they are to midsummer when the rain comes down in wave after wave of big pounding drops that soak you quickly and make any hard surface appear to be under two inches of boiling water, big pounding drops that slow gradually, get smaller, then stop; only to continue in a few minutes as a steady downpour that may last for hours or sometimes days, a downpour accompanied by lightning and long rolling thunder (9).

Afterwards, steam rises from the streets, from the lawns, from housetops and cartops.

discussion
When it flashfloods, the water collects and pools on the surface of the ground, is not absorbed by the ground because the earth’s been dry for too long and it’s not yet ready to receive the rain: the ground slowly absorbs the first rain that caused, is, the flashflood. The second rain soaks in more quickly.

But there’s also an opposite phenomenon when it’s been raining for a long time: the ground absorbs all it can absorb; the soft clay and sand deposits act like sponges until they’re full, then the excess water is dumped into the streams and rivers and lakes that rise to flood the lowlands and in places where streams run but once or twice a year or usually not at all, there are now rivers washing earth away from fallow soybean and cotton fields, rushing between limestone (10) and sandstone cliffs, carrying dead bloated cattle and empty plastic one gallon milk bottles.

conclusion
To be waiting in late afternoon rain. Warm rain. And cars are driving by making the wet tires on wet pavement sound that cars make when it rains. On the sidewalk plates of water reflect the legs of people rushing for the dryness that hides under storefront eaves. Rain drips from the storefront eaves. Wind blowing and the rain arcs down like swans’ necks drooping. Rain spray and rain drops bent randomly by stray wind. Rain spray striking faces. Shoes wet and wet socks sloshing. A slapped face burns with hate, with shame. The wind is getting colder, the rain is turning chill. Almost imperceptibly it’s getting dark. The rain is hard, it stings the face when it’s hard, it stings the face and the wind is from the north. The rain leaves the face red like a slap, it leaves its own tears (11).

notes and references

  1. The sun going down draws out a few last, long shadows from the scrub cedar. Standing on the wormholed limestone of an ancient seabed, the dry remains of prickly pear cactus and last year’s yucca flowers, I feel a kinship with the last sunlight edging along a mesquite branch.
  2. Its rhythm

    as you whispered
    it to me the song

    of your body
    the song of your body

    edging along mine     my hand
    brushes over you your body

    your hand brushes me and I
    am sinking in

    to you
    and we are drowning

    and the slow song
    of your body

    its rhythm is our body
    it is our four hands over hipcurve

    along back
    to stomach to the elegant

    rise of the breasts
    it is our two

    mouths
    desperately

    as we bite armpits nipples
    neck     the spine

    arches
    belly to belly

    pelvis
    into pelvis grinding

    into the orgasm
    which is the song

    of our body.

  3. The hand

    retains an image
    of the body

    the growing hardness
    of the clitoris

    the deep circular rhythm
    that’ll bring you forth

    into the full blossom
    of orgasm

    this harsh luminous resonance
    echoes itself out

    under the stars
    the reverent eyes

    of the gods.

  4. Root’s metaphor is the tired word deprived of rhythm. It clutches the crumbling brick of grammar’s wall; claws powdery mortar. Gates slammed shut with squealing tenacity of serried voice can never revive a dried root’s harrowed dust. Such obduracy must be breached: root’s seed yields a battered echo of broken syntax, a chiseled void that thrums with unfamiliar rain, an absent rhythm’s thirst slaked by torn earth’s bitter wetness.
  5. Is absence a construction? Blood swims over mute gravel and drowns. Must nothing remain? Hmph. We’ve carved a rude absence with barbed wire, hooks, and shovels; a rotting maw where woman was, a silence unveiled too late to soothe. Such religion is blind injunction to leave all illusion intact, to slice light from the power to light, words from the tenacity of grammar, root, and rhythm. Crawling again through the mire will save no one, yet cheap hell like that invents impotence — futility’s brusque wisdom — better than any borrowed concepts of infinity. Harrowed knees don’t bow or kneel from humility, but are charged with a rage that compels to pound bristled fever smooth; to invoke the forgotten, revel in degradation. This is what we’ve dumbly learned: only the harshest master teaches true. Blood remembers: history is a pogrom; heaven is rife with evil.
  6. There will be rain outside the window she will wake first and turn to you or you to her and look her eyes open and heavy upon your still sleeping face or your eyes on her her half closed eyes sighing with sleep one of you will rise first to open the blinds look down the ridge the trees through the rain the eastern sky breaking sunlight above the Arathu beyond whatever singing fragment of dawn.
  7. We’re something beautiful together the concealed athleticism cats fighting something beautiful as cactus blooming after a desert rain. We are something with a potential for ugliness an intensity a passion alienating us causing us to hate each other to hurt each other. We return from each distance with our closeness increased — and we sing when we’re lonely.
  8. If you were raised in this world under the burden of religion, you soon learn to abandon it. You begin to worship each other with the zealousness of recent converts. And the memory of blond autumn sunlight, a shared sweat beneath the blackjack oak, the hand moving over the body must be worshipful. The gazing eye that follows each line, that stops to focus on a hair, a mole, a blackhead, must be worshipful. Making love is an act of worship, a prayer given out and received.
  9. “The rain are fallin.” The rain’s falling outside this beaten down house, this beaten down house with barely a roof, barely a roof and no chimney. “The rain are fallin.” Trees are falling down struck by lightning and blown over by wind, burning. Houses like this one are fallen down, are blown apart by the wind and burning.
  10. The limestone and juniper country changes to redrock badlands, to windswept plains melting into mesquite, cholla and prickly pear. (Your face opens up a desert within me where all feeling is washed away as if by wind.) Crossing over into New Lexica, we were greeted by rain and the lush green that signifies the presence of past rain. (And all the hurt, all the pain you had contained inside I begged you to let out, to let it flow out like this windblown rain.)
  11. Kiko, when you come, you are an open place, treeless, the sun burning : myself burst open like a rose.